Featuring Audient's signature transparency, high performance, and multi-purpose functionality, the Audient ASP510 integrates easily and seamlessly with any console or DAW based surround set-up to provide comprehensive control of the monitoring and record functions for multiple surround sound formats. You'll find the Audient ASP510 surround monitor controllers are seen in all of Abbey Road's surround-capable studios.<BR><BR><strong>Audient ASP510 Surround Sound Controller, First Take:</strong><BR /> <ul><li>Comprehensive monitoring and record for multiple surround sound formats <li>Integrates with your mixing console, easy calibration and LFE filter <li>Selection of up to six monitor sources and three record sources <li>Guide track and Dolby encoding inserts <li>Cleanest possible signal path</ul><BR><BR><strong>Multiple Surround Sound Formats</strong><BR /> The ASP510 comprises a single rack unit and a small desktop remote. It handles all of these tasks: Selection of 5 preset Monitor Formats: 5.1, LCRS, Stereo, Mono and Bypass allowing surround monitoring to be collapsed into 4-, 2- or 1-channel formats all with the correct down-mix coefficients for instantaneous compatibility checks. The Bypass switch allows the main Left and Right monitor speakers to be fed directly by your mixing console control room outputs when you are not working on a surround project. <BR><BR>The ASP510 is ideal for surround sound music production, DVD-V and DVD-A authoring, film and video post-production, film production and Foley, SACD and DTS authoring, video game production, digital television, audio visual production, and multi-channel OBs.<BR><BR><strong>Console Integration and Easy Calibration</strong><BR /> The ASP510 integrates with your console Solo logic system so that the surround monitor system can detect and insert soloed signals exactly as you're used to. It even has a remote Dim input so that your console can continue to dim the monitors when talkback is active. The ASP510 also features individual Cut and Isolate switches for each of the six monitors. This makes for easy calibration of the monitor system using the programmable Monitor Reference and Dim utilities along with the internal Pink Noise generator. An insertable 80Hz sub-bass filter allows accurate LFE monitoring.<BR><BR><strong>Selection of Up to Six Monitor Sources</strong><BR /> - Surround Rec - The 6 console bus outputs used to derive the surround mix. - Surround Play A - Surround input A (normally the return from multi-channel recorder A) - Surround Play B - Surround input B (normally the return from multi-channel recorder B) - Stereo Rec - the source being used to derive the stereo mix. - Stereo Play A - Stereo input A (normally the return from stereo recorder A) - Stereo Play B - Stereo input B (normally the return from stereo recorder B)<BR><BR>The ASP510 allows selection of the Stereo Record Source as either the console stereo bus outputs, a downmix of the surround buses, or the output of a
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