The Aviom Optimized for Wireless Personal Monitoring System includes: four Aviom A-16R Rack Mount Personal Mixers, one Axiom AN-16/i 16-Channel Input Module, four Axiom A-16CS Control Surface Remote Controls for the Aviom A-16R Mixer, four Aviom MT-1 Mic Stand Mounts, and one L-100 Layflat Cat-5e 100 ft. Cable. The Aviom Pro16 Series defines the industry standard for Personal Monitor Mixing and streaming audio over Cat-5. Pro16 Series products deliver perfect monitor mixes and economical digital audio distribution.<BR><BR><strong>A-16R Rack Mount Personal Mixer</strong><BR /> 241376 The Aviom A-16R Personal Mixer is a rack-mountable version of the A-16II. With separate balanced left and right audio outputs in addition to the front-panel headphone jack, the A-16R simplifies connections if you're monitoring through unpowered wedges or wireless in-ears <BR><BR>Like the A-16II, the A-16R allows every performer to create a fully customized monitor mix, tailored to their individual needs. The A-16R gives each musician completely independent control over the volume and pan of up to 16 channels, as well as master tone and volume. Each mixer can also store 16 mixes as Presets.<BR><BR>Audio is taken from an existing console, using an combination of up to 16 direct outs, inserts, auxes, or groups. These sixteen channels are fed to a Pro16 Input Module, such as the AN-16/i, and are then distributed to an unlimited number of Personal Mixers using Cat-5e cables.<BR><BR>Personal Mixers can be daisy-chained or connected in parallel using an A-Net Distributor. Parallel connections also allow power to be supplied to the mixers over the Cat-5e cable.<BR><BR>In most cases, the Aviom A-16R will be placed off stage in a rack, along with amps and transmitter units. By adding the A-16CS Control Surface to the system, a performer can control their mix remotely from on stage to control an A-16R from on stage. <BR><BR><strong>AN-16/i 16-Channel Input Module</strong><BR /> The Aviom AN-16/i converts 16 balanced line-level analog audio channels into uncompressed, full bandwidth 24-bit digital audio transmitted via A-Net. Placed at a front-of-house or monitor console, the AN-16/i can be used as a head-end for a Pro16 Monitor Mixing System. Used in conjunction with the AN-16/o Output Module, the AN-16/i can also be used in a digital snake as an input path for main return signals from front-of-house.<BR><BR>The AN-16/i provides 16 balanced line-level inputs into a Pro16 system. Audio is converted to digital (48kHz, 24 bits, no compression) and transmitted in real time via A-Net, up to 500 feet over a Cat-5e cable. A dedicated audio thru is available for each input channel, allowing the AN-16/i to be seamlessly inserted into an existing audio signal path.<BR><BR>In most uses, audio from a console any combination of channel inserts, direct outs, submixes, auxes, or groups is connected to the input channels on the AN-16/i. The A-Net Out on the AN-16/i is connected to the A-Net In
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