This arrangement might be best thought of more of an exercise or a demonstration of how Travis picking works. If you go along and just play the notes
on the top three strings you will be playing the melody. If you just play the notes on the bottom three strings you are playing alternating bass notes. Playing them both at
the same time takes some practice. In this exercise there are only quarter notes so you’ll have less to worry about while getting used to the technique. When
you’re ready for a challenge try the more advanced Travis picking arrangement of Camptown Races.
When playing the G chord, be sure to use fingers 2, 3, and 4, with your 4th finger (pinky) holding down the 2nd string most of the time instead of the
1st string (because the melody happens to be on the 2nd string). Remember, any time you see a chord chart it tells you the general position your fingers should be in, but if
the tablature tells you to play a different position while holding the chord you should make that change but still hold the chord if possible. In this case much of the melody
is on the 2nd string 3rd fret and very little on the 1st string 3rd fret, so it’s easy to hold down the 2nd string with your pinky while still holding down the regular
chord position for the G chord on the 5th and 6th strings.
The D chord is also different in this arrangement than you are probably used to. The 1st string and the 6th string are both tuned
to E when played open, so played at the 2nd fret they would both be F# notes. Therefore in order to get a better bass sound we’re playing the F# on the 6th string and
not worrying about holding down or playing the 1st string unless necessary.