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 Posted: Wed Jan 21st, 2009 04:20 pm
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Jim Yates
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My friend and favourite fiddle player, Zeke Mazurek sent me this this morning and I felt I had to share it:

 

Violinist
in the Metro




 




A man sat at a metro station in Washington
DC and started to play the violin; it was a cold January
morning. He played six Bach pieces for about 45
minutes. During that time, since it was rush hour, it
was calculated that thousandsof people went through the station, most of them on their way to work.

Three minutes went by and a middle aged man noticed there was musician playing. He slowed his pace and stopped for a few seconds and then hurried up to meet his
schedule.

A minute later, the violinist received his first dollar
tip: a woman threw the money in the till and without
stopping continued to walk.

A few minutes later, someone leaned against the wall to
listen to him, but the man looked at his watch and
started to walk again. Clearly he was late for work.

The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried but the kid stopped to look at the violinist. Finally the mother pushed hard and the child continued to walk turning his head all the time This action was repeated by several other children. All the parents, without exception, forced them to move on.

In the 45 minutes the musician played, only 6 people
stopped and stayed for a while. About 20 gave him
money but continued to walk their normal pace. He
collected $32. When he finished playing and silence
took over, no one noticed it. No one applauded, nor
was there any recognition.

No one knew this but the violinist was Joshua Bell, one
of the best musicians in the world. He played one of
the most intricate pieces ever written with a violin
worth 3.5 million dollars.

Two days before his playing in the subway, Joshua Bell
sold out at a theater in Boston and the seats averaged $100.

Joshua Bell playing incognito in the metro station was
organized by the Washington Post as part of an social
experiment about perception, taste and priorities of
people. The outlines were: in a commonplace
environment at an inappropriate hour: Do we perceive
beauty? Do we stop to appreciate it? Do we recognize
the talent in an unexpected context?

One of the possible conclusions from this experience could
be:

If we do not have a moment to stop and listen to one of
the best musicians in the world playing the best music
ever written, on one of the finest instruments in the
world - how many other things are we missing?



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 Posted: Wed Jan 21st, 2009 04:49 pm
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banjo brad
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Jim -

The actual video is, I believe, still hanging around on the NPR site. Quite an interesting experiment.

This was heavily discussed on Fiddle-L about a year ago, I think.



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 Posted: Wed Jan 21st, 2009 04:54 pm
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Jim Yates
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It reminds me of this song: http://ca.youtube.com/watch?v=HmzN1p5q2sY



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 Posted: Wed Jan 21st, 2009 04:56 pm
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banjo brad
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Jim -

The actual video is, I believe, still hanging around on the NPR site. Quite an interesting experiment.

This was heavily discussed on Fiddle-L about a year ago, I think.

Here's the link to the story and the video:

http://www.npr.org/templates/story/story.php?storyId=9521098



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